![]() ![]() ![]() Thanks to TRANSFO Zwevegem, België (filmlocatie)Bisdom Gent, Demaco, Ugent Departement Anatomie, UZ Gent B3, Kopergietery, Boomfanfarestoelen, Kris Vandernberghe, Cinematic vzw, fam. Terra Nova is created with the support of:- EDM (Expertise Centre for Digitial Media), University Hasselt, (B)- Art centre Vooruit, Ghent (B)- NEXT Festival, Eurometropole Lille-Kortrijk-Tournai + Valenciennes (B)- TAKT, Dommelhof, Neerpelt (B)- La Chartreuse, Villeneuve-les-Avignon (Fr)- La Gaîté Lyrique, Paris (Fr)- Les Colis-Bruits, Paris (Fr)- Woudi Tat Production co-ordination and administration: Vicky Vermoezen Software design: Philippe Bekaert, EDM, University Hasselt and Vincent JacobsĪctors: Stef De Paepe / Robby Cleiren / Jorre VandenbusscheTechnology: Vincent Jacobs Assistance technology: Koen GoossensĪrtistic Assistance: Chantalla Pleiter2e Assistent: Jakub RehakSet: Leo VerlindenĬoordination film production: Dieter LapauwĬostumes: Olivia Mortier en Marije de Wit First presented in La Chartreuse in Villeneuve-les-Avignon (Avignon Festival) in July 2011, Terra Nova also travels to European cities such as Budapest, Graz, Kortrijk, Brussels, Rotterdam, Ghent, Zagreb, Hasselt, Prato and Basel.Ĭoncept & direction :Eric Joris & Stef De Paepe Terra Nova is part of a European collaboration project on the role of the spectator in contemporary performing arts. ![]() Other artistic collaborators are Vincent Jacobs, Kreng and Chantalla Pleiter. The audience's uncanny experiences in Terra Nova conjure up questions that are also raised by neuroscience: What is the ‘self'? What is reality if it is so simply manipulated? What is this reality of seeing, hearing, moving in space, if my body allows itself to be diverted so easily? CREW does not solve these enigmas, but invites us to explore them by confronting us with real and disturbing sensations.ĭirectors are Eric Joris and Stef De Paepe actors (alternating) Robby Cleiren and Jorre Vandenbussche. If theatre is the art of awareness, - no other art focalises with the same intensity on the here and now - then the immersive theatre of CREW is the art of immediacy, of extreme vigilance. The spectator, finding himself to be at the centre of the device, becomes the protagonist of the performance. Using state-of-the art technology, perception is incorporated into the actual body of the audience. In CREW's immersive performances a new approach to theatre writing emerges, in which narration is transmitted as much by sound, image and tactile sensations as it is by words. Terra Nova is the result of years of artistic research and accumulated know-how. And so, the spectator's own remarkable voyage unveils a universe of the ‘self', previously unknown to him: his own interior Terra Nova. ![]() Scott's solitary disarray is echoed by the immersive and transitional experience of the audience, leaving them, in turn, in doubt. His senses are stretched beyond limits, his emotions and concentration challenged. During the performance, each spectator is immersed in other bewildering realities. Unfolding the steps and thoughts of the commander, Peter Verhelst's text plunges the audience into the debacle of the expedition. Beaten by only a month by the Norwegian Roald Amundsen, the English explorer and his team perish dramatically on their way back. Scott's fatal expedition to the South Pole, in 1911. A live art performance that combines theatre and immersive experience ![]()
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